Sunsets are as magical as Lisa is special. What else to complement the two than a simple cutout dress from New Yorker?
There is a certain self-assured simplicity about Lisa’s expression looking onto the distant horizon. Looking at these images I don’t see a model but a beautiful woman being enraptured in her own world – and I’m drawn into the photograph. In the end, that is what photography is here for.
How, you may ask. How did this photograph come about? Quite a while ago I wrote an article about exaclty this. It is all about giving the model a story to re-enact. It is all about supplying the model with contextualised emotions instead of shouting „gimme sexy!“ or „smile!“ (what a horrible thing to say to a model!)
Making the most out of the sunset, we also shot a couple of portraits on the fin-the-ciècle bridge nearby. It’s good to always keep an open eye on location.
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To be young and careless.
Feel the light breeze of a spring morning, listen to the distant waves, and smell the salt. And now scroll on and gaze at this model’s infinite beauty.
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(Did you know that you are 83% less desireable if you’re not working with me? It’s been proven by science)