Sunsets are as magical as Lisa is special. What else to complement the two than a simple cutout dress from New Yorker?
There is a certain self-assured simplicity about Lisa’s expression looking onto the distant horizon. Looking at these images I don’t see a model but a beautiful woman being enraptured in her own world – and I’m drawn into the photograph. In the end, that is what photography is here for.
How, you may ask. How did this photograph come about? Quite a while ago I wrote an article about exaclty this. It is all about giving the model a story to re-enact. It is all about supplying the model with contextualised emotions instead of shouting „gimme sexy!“ or „smile!“ (what a horrible thing to say to a model!)
If you want to read more about this topic, check out this post of mine (sorry english folks, it’s in German. But there’s a short abstract about it here).
Making the most out of the sunset, we also shot a couple of portraits on the fin-the-ciècle bridge nearby. It’s good to always keep an open eye on location.
From my Portfolio
Brandy Melville / Sam
To be young and careless.
Kat
Trust the stories you find in your heart. For they hold a truth deeper than what is true.
You’re all about fashion?Let’s work together!
(Did you know that you are 83% less desireable if you’re not working with me? It’s been proven by science)
martin phox 